"It's impossible to discourage the real writers; they don't give a damn what you say." Sinclair Lewis
Monday, August 4, 2014
A Chat With Linda Sandifer
I started writing when I was 12. I loved to read, and it became clear to me early on that I wanted to create stories like the ones I read.
What have you written (books, short stories, articles, etc.)?
I've had 13 books published, several short stories, and a number of industry-related articles. When I was a teenager I wrote a lot of really awful poetry.
Which of your novels are your favorite and why?
Who are your favorite authors?
I usually think of favorite books rather than favorite authors because, ultimately, it's the nature of the story that intrigues me. There is some subject matter and some settings that just don't appeal. But there are a few authors who I'll keep going back to because I love their writing styles, and I know their stories will never disappoint.
In women's fiction I like Barbara Delinsky, Kate Morton, Alice Hoffman, and Lucinda Riley. For westerns and western novels: Elmer Kelton, Louis L'Amour, and Larry McMurtry. In the romance category, I've recently enjoyed Kaki Warner, Carolyn Fyffe, B. J. Daniels, and Sharon Sala. I seldom read mysteries but I do like James Lee Burke, Craig Johnson, and everything Tony Hillerman ever wrote. And even though I'm not one to read horror, I will read Dean Koontz. A foreign author who comes to mind is Carlos Ruiz Zafón. For nonfiction, I'd have to say Hampton Sides, who writes history as engaging as any novel.
What is your favorite genre to read?
I like both historical and contemporary fiction. As a general rule, I'm not interested in horror, sci-fi, "Tolkien" fantasy, erotica, spy thrillers, vampire books, or who-dun-it mysteries. I do like paranormal elements, however, like ghosts, skinwalkers, time travel, reincarnation, and Southwestern culture and settings. I don't waste time on anything that doesn't engage me in the first few chapters. If it doesn't seem to be going anywhere on its own, I put it on a fast track to the used bookstore.
What is your obligation to your readers?
When an author starts a story, they make a promise to the reader. It is my obligation to not only give them that promise, but to fulfill it in a big way. I want to entertain, of course, but I want to craft a story that readers will truly feel was worth the read, and I want to create characters that are not easily forgotten. Also, it is my obligation to know who my readers are, and to give them the type of book they expect in any given genre. Sometimes, this can be the hardest part of writing a book because if you don't know who your target audience is, you won't know how to write the book.
What is your obligation to yourself as a writer?
To write the best story I can! But it's important not to second-guess yourself at every turn. If you begin to doubt yourself, then your voice becomes stilted and you become crippled. Critiques are good, but a writer ultimately has to trust his/her instincts. When I finally determine the story has gone through enough revisions that I can say it's finished, I want to feel as if I truly did accomplish what I set out to do, and that I didn't compromise the heart of the story with self-doubt and fear (like worrying what my family and friends will think!).
Who are your favorite hero and heroine?
Rhett Butler comes to mind from Gone With the Wind. And Meg Cleary from The Thornbirds. But I think heroes and heroines who are memorable are those who are tortured in some way, and who have to go the farthest and face the highest obstacles (but within reason--no Perils of Pauline, please!). One hero who comes to mind is McCall in Lonesome Dove. It's interesting what Larry McMurtry did when he wrote that book because he made Gus the likeable one, the obvious "hero," and yet it was his friend McCall who set the entire sequence of events into motion, and who was the last one standing. So he was the true hero, and, technically, the main character. He isn't a hero anyone would think of as their favorite, but he certainly was memorable.
What was your easiest book to write?
Which was the hardest?
I'd have to draw straws, because it seems the more I've learned about writing, the harder it becomes. Each book has its own particular challenges. But I'd have to say The Last Rodeo was one of the most difficult because it wasn't genre specific, and there was no "formula" to keep me on the straight and narrow. In general fiction, the path you take is entirely up to you and if you take the wrong one, you could be wandering around in the forest forever. I got lost in the woods a helluva lot while writing that book, but I finally found my way, thanks to some comments made by agent Donald Maass who read the book in an earlier draft.
What is the hardest part of the creative process for you?
I would rather write a 500-page novel than wrestle with a one-page query letter. They didn't used to be so tough when I first started in this business, but agents have become entirely too anal about them.
Do you write by an outline? If not, what is your method?
Outlines are too restrictive. But I don't write completely by the seat of my pants, either. There are certain things I want to happen, and there's always a destination, but how I reach it remains fluid. My method is kind of like putting together a grocery list. I only write down the stuff I absolutely have to have. Then I go to the store and walk up and down the aisles and pick up all the other goodies I see along the way.
Do you have set hours in the day to write?
I used to when my life had a schedule; i.e., when my children were in school and my husband was working. Now that my husband is "retired" and I have children scattered from Florida to California, I'm doing more "time-traveling" than writing. (There is at least one member of our family in every U. S. time zone!)
Writing is tough. What keeps you coming back?
Insanity, most likely. But I prefer to believe it's in the blood.
Tell us a little about your venture into the self-publishing market.
I self-published The Last Rodeo. The agent I had at the time loved the book and shopped it around New York to all the big publishers. It got good feedback, but ultimately no sale. From what I could gather, it was a marketing issue. My agent suggested that if I wanted to turn it into a "cowboy erotica" she could probably find an editor for it because that was a hot market (no pun intended). I wasn't about to dismantle all the years of hard work I had put into that story and those characters. I could have continued to search for a publisher (and a new agent), but I decided to publish it myself so no one could possibly turn it into something I didn't want it to be.
Would you self-publish again?
The advantage to self-publishing is that your book can be available for as long as you want it to be, so, yes, I'd do it again if I had a book I felt was worthy. It's nice that there's no longer a stigma for self-published books.
Do you have any advice for beginning writers?
Probably more than a beginning writer would like to hear! But, seriously, follow your heart and your instincts. Write the story that speaks to you and it will likely speak to others. Learn the craft. Don't ever think that the rules don't apply to you (they do). Writing is a creative process but once it's on paper, it becomes a business. Keep abreast of the industry and the markets. Read. Read. Read. Evaluate what makes good books so good. Interact with other writers (it's nice to know you're not wandering the Desert of Insanity alone). Realize that your writing will never be perfect--no one's is--but always strive to make it the best you can. When you feel strongly about something you've written, stick to your guns. And never give up. As William Feather said, "Success seems to be largely a matter of hanging on after others have let go."
You can find Linda's books at Amazon and Barnes and Noble.