"It's impossible to discourage the real writers; they don't give a damn what you say." Sinclair Lewis
Friday, January 29, 2010
Reading first person point of view I feel like I'm there feeling what the character feels, hating, crying, loving, and laughing right along. Emotions are raw in first person. The story is more intense. I see and feel the story. The reader takes that journey.
Writing a first person narrative is sharing an experience of an internal journey of discovery. I grow or had an 'aha' moment. First person point of view, where I'm inside the head of one of the characters, is a way to pull the reader into a story. Seeing everything through that person's eyes gives the reader a sense of immediacy, a sense of actually living the novel--if it's done right, of course.
Fiction or nonfiction, there I am. A part of me is available for others to see. I find that scary, perhaps just awkward, but a challenge. According to Cheryl Wright of "Fiction Factor," first person narration is becoming more and more popular, and this is being recognized by many publishers. The Factor says the trick is to eliminate most of those nasty "I" words that so easily begin each sentence. For example, "I glanced at the clock," becomes "my eyes darted to the clock."
John Steinbeck told The Winter of Our Discontent partially in first person. Some books often tagged first person are The Catcher in the Rye by J. D. Salinger, Jane Eyre by Charlotte Bronte, and To Kill a Mockingbird by Harper Lee.
Mary graduated from University of Missouri, Columbia with a Masters of Social Work. Having completed clinicals in mental health, she worked for a county health department and spent several years of her career on a neuropsychiatric unit of a hospital. (She always knew she would get help.) Having retired she has jumped off another cliff to try her hand at writing. "Writing is the chance to make things up, fantasize. I can say anything, almost." Home is Southern Indiana. As an adult she lived in several states and traveled the U. S., settling in Idaho Falls, ID. She loves the mountains and the snow.
Thursday, January 14, 2010
A good hook is essential to any book, but a terrific first line, first paragraph, or even first page won't save a story that begins in the wrong place. Neither is anything more disappointing to a reader who bought a book based on that terrific hook, only to find the story fading away after a few pages or chapters. (I won't get into the burning question as to why such a book was published in the first place. That's fodder for another blog.)
A book will sometimes cover the entire life of your main character from birth to death. That doesn't mean you should start it when the character emerges from the womb. More often than not, a story will be only a brief span of time in a character's life–a few days, weeks, or months. Hopefully, you have chosen that time frame because something is about to happen that will change your character's life forever. It will be a turning point. Don't wait until page 100 to start this moment of change. Starting a story too soon, or too late, will result in weighty narrative and flashbacks that will slow your story to a crawl. You'll get lost, confused, discouraged and might even give up on the book entirely. Chances are, if it isn't working for you, as the writer, then you haven't found that moment of change and the best way to present it.
The scene that you open your book with should set the stage for what is to follow, foreshadowing the direction the story will take. This beginning should make a promise to the reader that will be fulfilled at the end. In today's fast-paced world, the reader will want to immediately see the conflict that will be the crux of the story, and one that will be resolved. This opening scene should be one that encapsulates the theme, even if you only demur to it. The tone might even hint at an array of outcomes that will entice the reader on.
It is also important before you write one word, that you know where your character has been, where he is going, and how he will get there. You need to know your ending before you can craft a truly effective beginning.
Even though you might have a great hook that won "The Best Hook" in some nationwide writer's contest, if you can't keep the momentum going, you haven't started your story in the right place.
Here is a wonderful beginning from Carlos Ruiz Zafón's new book, "The Angel's Game." See if this draws you into the story and then ask yourself if he has foreshadowed, promised, offered conflict and motivation, hinted at a theme as well as the sense that the character, who we meet in the next paragraph, is about to face the moment that will change his life forever.
"A writer never forgets the first time he accepted a few coins or a word of praise in exchange for a story. He will never forget the sweet poison of vanity in his blood and the belief that, if he succeeds in not letting anyone discover his lack of talent, the dream of literature will provide him with a roof over his head, a hot meal at the end of the day, and what he covets the most: his name printed on a miserable piece of paper that surely will outlive him. A writer is condemned to remember that moment, because from then on he is doomed and his soul has a price."
Linda is the award-winning author of thirteen novels. Several of her books have been translated into Norwegian, Swedish, Romanian, and Russian. She has won such awards as Idaho Writer of the Year, Affaire de Coeur's Reader's Choice Award, and Women Writing the West's Laura Award. She has worked as a secretary, a bank teller, a technical editor, and once even trained to be a beautician. Born and raised on a ranch, she has spent most of her life in Idaho. A mother and grandmother, she and her husband own and operate the ranch her grandfather homesteaded in 1915. You can see more about her books at www.linda-sandifer.com