Words—a
writer’s best friend. I mean come on, let’s face it. It doesn’t take a
rocket scientist to inform us we’d be staring at a blank screen, unable
to express ourselves, unable to tell our stories, unable to make a
living without them. And don’t get me started on how silent the world
would be if no words existed at all. Not a bad thought for someone who
never gets enough silent moments, for sure. But in our world, it is the
“written” word I want to speak about today.
And there are so many of them to choose from.
It
is the selection of our words and the weaving of them into our
characters, our plots, our descriptions, our every-writing moments that
makes us into individual authors with unique styles, unique rhythms, and
unique “voices”.
My cousin used to write beautiful,
near-literary, romance novels. We were long-distant critique partners
for over a decade and exchanged emails pretty much on a daily basis.
With every typed correspondence we’d share, I noticed a saying always
appeared beneath her name: I am a Wordsmith … I beat words into
submission.
Though many years have passed by since I read one of
her emails, that one sentence has stuck with me. It is the inspiration
for today’s lesson. Beating words into submission, stringing them into
sentences like an artist mixing paints to achieve the perfect intended
color, twisting them into ways that would give readers an unforgettable
journey through a story no other author could tell, was something I,
too, wished to do.
I wanted to become a Wordsmith.
According
to the Encarta Dictionary (English), “Wordsmith is a noun that means:
somebody who uses words skillfully, e.g. a professional writer or
journalist.” And, in case that escapes any author reading this today,
that means me and you. With that in mind, let’s keep looking at words
and the way they can, and in some cases, should be used.
Novels
and the words we choose. Setting aside style and voice, many of us will
use some of the same words. However, genre, as well as time and location
the story takes place, will give us diversity…we’ll use words that lean
towards the genre we’re writing within.
Examples of genre usage:
Romantic
words—a romance writer’s best friend. Let’s see … hmm … simple ones:
love, sex, intimacy, climax, passion, embrace, etc. An author of romance
may use these terms far more than an author of say horror.
Diabolical
words—a horror writer’s best friend. Evil, goosebumps, fear, sliced,
diced, hell, demon, Satan, Abyss, etc, are all words most romance
writers would not use albeit there are probably exceptions in either
case … myself being one, as I like to dabble in paranormal romance.
Military
thrillers—F-16 jets, bombs, tanks, firing, guns, smoke, soldiers,
cursing, probably aren’t going to mention demons and Satan involved in
an evil embrace of climactic passion! I think you get the point.
Examples of time usage:
Ah,
how I love historical romance and the use of words that give credence
to the time period the story is set within. Unbeknownst, naught,
methinks, wondrous, loquacious, Godspeed, nonplussed, vex, milady,
milord, all help the reader feel the sense of time and place in history.
I have used nearly all of these words, and more, in my first two
novels: one set in 1692, the other in 1479 England. Beware, however,
that too much of a good thing can also ruin a story. When I wrote my
first novel, I wrote the entire thing in Old English. I didn’t realize
no one really wanted to read a romance novel written in
Old English, so I
learned a valuable lesson. Therefore, remember to have balance between
the old and the new when writing in a certain time period. Use enough
time-period appropriate words to flavor the story and give the reader a
sense of authenticity.
In the pacing of a novel, flowery
long-listed adjectives, and words with so many letters one has to get
out a dictionary in order to understand what the character is saying and
or doing, can often slow down the speed and the tempo of our stories.
So be wary of overuse. Sure, a great word once in a while is okay, might
give the reader something to think about long after the last page is
turned. Slowing them down too much, however, making them stumble over
sentence after sentence might just cause them to close the book before
they’ve reached chapter two! So keeping the pace of our stories strong
and quick is definitely a win, as most readers nowadays like a fast
read. Other things like grammar can contribute to this as well. But
we’re talking about words here and we’re going to stay on topic.
Authors
can even take the liberty of making up our own words. Of course,
science fiction writers know this well. They make up their own
people/creatures, languages, and worlds. But a uniquely thought up word
used in dialogue or a character’s thoughts, can also be pulled off in
any genre. In my story, Lillian of the Valley, a long contemporary
romance, Deputy Joe almost “Spooged” in his pants. I’ll let you all
figure out that one on your own. However, it wasn’t as nasty as you
might imagine. Rather than sexual, it was my heroine’s thought after
seeing how excited the deputy got when the sheriff gave him an important
task. Naughty naughty if that’s where all your minds went first!
Words;
so powerful, so descriptive, so breathtaking in their variety and
wide-scope of meaning. Search them out; read through the dictionary;
let’s challenge ourselves to learn a new word or
two each week. It’s not only fun, but enlightening. A wealthy vocabulary will only strengthen us as writers.
I
once went on a venture of writing down words I’d read in other novels
or text books, seen in movies, or simply heard in conversations of both
stranger and friend. Sure, it took a while. But a jot here and a jot
there, and wall-la! I had pages and pages of handwritten words to pilfer
through when I needed to be reminded of the variety that existed to
meet my writing needs.
Not everyone is a Wordsmith.
Not everyone is a writer.
Garbage
cans are filled with people’s attempts to write. Perhaps they are not
naturally talented, can’t tell a story if their life depended on it, or
they’re just too damn lazy to learn the craft and keep it polished; keep
up on what’s expected of an author in an ever-changing world. Home
computers have opened the doors to anyone and everyone who thinks
they’ll be the next bestselling author. But they’ve also opened the door
to a wealth of knowledge our grandparents could’ve never imagined
existed. Millions of words and their various meanings are literally at
our fingertips.
Yes, a Thesaurus is our best friend.
Okay,
seasoned writers, I am aware I used some clichés in this lesson. I did
so purposefully. Cliché … I even like that word … it’s got a beauty to
it, doesn’t it? Cliché. Say it aloud … “cliché”.
Is there room for improvement? Always.
Can we learn something new? Most assuredly.
Does it hurt to be reminded of things we may think we’ve already mastered? Absolutely not.
Thus,
my writing friends, if we aren’t Wordsmiths yet, we will be. Because,
as writers, we know that without the ability to manipulate words …
sentences … paragraphs … in exclusive ways that convey the beauty of our
own unique style, our own exquisite voice, we will not shine bright
amongst the throngs of an unruly crowd of mediocre authors and/or
author-want-to-be’s.
Words and the way we use them not only
separate the failures from the successful, but also place our mark in
this old world … OUR words that will be remembered long after we have
left it. So what is it we wish to say? Did we say it in a way that
clearly defines our intent? Think about these two sentences next time
you sit down to write. Whether it be fiction or nonfiction matters not.
If we stay true to our voice, our resolve, if we hammer our words into
submission to create sentences that engage our readers to continue
flipping pages and buying books, then we will have succeeded in leaving
our individual messages to not only to this generation, but the next,
and all generations yet to come. Happy hammering! (Smile)
The Blue Sage Writers of Idaho is a loosely organized group comprised of both published and unpublished writers. The group meets once a month to share tips, tricks, camaraderie and to critique each other's work. We are not accepting new members at this time but are happy to have authors or beginning writers visit twice.
"It's impossible to discourage the real writers; they don't give a damn what you say." Sinclair Lewis
Monday, March 5, 2018
Tuesday, November 21, 2017
Give the Gift of Words by Carol Curtis Stilz
Each of us has the power to choose words as we select gifts.
We choose carefully, making sure the gift fits and is appropriate. What if we
chose our words with the same thoughtfulness?
I relish books that give me delight like a box of chocolates
with no two tasting the same. So my desire is to give my readers that
experience. Even in this busy season I can savor words, images and sounds to
use in my writing. Then I’ll record those images and sounds on my phone or in
my pocket notebook. For those sensory details of smell and taste, especially
chocolate, I must capture the essence in a word or phrase. That’s a challenge I
face in writing picture books!
If you choose to join me in building a storehouse of rich
images and phrases, you will need a pocket size notebook and pen (Dollar Tree
item) or a smartphone with space for recording photos, sounds, and videos. I’ll
use both depending upon the situation. And, I’ll need a plan since I’m easily
distracted, so I’ve written it as an assignment. Modify it to suit your needs. The
teacher in me never retired.
First, be aware of scent, taste, and touch in your
surroundings. Since readers are drawn into a scene by the sense of smell evoked
in words, focus on scents. Is that the aroma of cinnamon, vanilla, pumpkin,
evergreens, or peppermint? How would you describe it in a word or two? Then
consider taste. Take that bite thoughtfully and let the taste linger. Sip that
beverage slowly. How would a foodie capture the essence? Move on to experience
textures. (One year my daughter wanted a fir tree for Christmas, or so I
thought. What she wanted was a tree that felt furry and fuzzy like her
grandma’s flocked tree.) How would a textile designer describe the feel? Is it
different from the appearance?
Next, give attention to sight and sound. Look for images
both black and white and color. Change your viewpoint. Look at your holiday
decorations from a child’s view or a pet’s perspective. Observe how subjects
react to light, or lack of light. When you watch movies and television, notice
lines of dialogue and musical sounds, as well as what you see on the screen.
Can you evoke the sound of silence? That one can be tough depending upon where
you are. Record sounds and images on your phone or notebook. Snap a photo or
sketch a special image or viewpoint that is clever. If space on your phone is
an issue, use an SD card.
Finally, transfer items from your phone to your email or
computer or index cards. Be respectful of copyright and do not share
copyrighted material. (Oops, that means I don’t post others’ creative work on
social media.) Save this collection in a useful format. (I like flashdrives for
this step.) Label categories and record your sources with place, date and time.
For handwritten notes, tape them to individual index cards. (Color coded cards
work for me. A pack of white and a pack of four colors.) Organize them on a
file ring. Make your own with a punch in each card and a keyring. Or, put
everything in a special box or bag that closes tightly and pull out cards when
looking for inspiration. (I’ve seen greeting cards, tea bag tags, napkins and
ads provide inspiration to writers and artists.)
The gift I’m creating takes only minutes. An image or sound
can be captured in seconds. Saving them for later use takes only minutes. I
give myself the gift of mindfulness, living in the moment, enjoying the
delights of the senses, and building a storehouse of treasures to share with my
readers.
The challenge to transport my readers to my character’s
world through rich sensory images came from outstanding authors whose workshops
I attended. I am grateful for their shared wisdom and encouragement. At the
Southwest Washington Writers Conference in Centralia, Washington. I listened as
Melanie Dobson, Robert Dugoni, Veronica Noice, and Kyle Pratt shared their
experience. At the Louisiana Book Festival in Baton Rouge, Louisiana, Kathy
Murphy, known as the Pulpwood Queen, inspired and entertained me. You can meet
Kathy (Patrick) Murphy as she interviews Fannie Flagg via Beauty and the Book
on YouTube https://www.youtube.com/watch?v=gzDIMvjCtI4.
She started book clubs from her beauty shop! Her book, The Pulpwood Queen's Tiara-Wearing, Book-Sharing Guide to Life will
be a movie released by DreamWorks. Checkout http://www.thepulpwoodqueens.com/ for
more information on 740 book clubs, their reading lists, and activities.
Happy holidays and a Prosperous New Year!
Carol Stilz
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