"It's impossible to discourage the real writers; they don't give a damn what you say." Sinclair Lewis

Tuesday, September 19, 2017

OH, BABY! WE LOVE THOSE FREEBIES!

BLUE SAGE WRITERS WITH GENEROUS HEARTS!

NO money? NO worries!
This week, our own Sherry Roseberry has TENDER DECEPTIONS, a mystery-romance, listed at the low price of zip, nada, zero, no gooseberries whatsoever, for five full days on Amazon. This is for the Kindle version.  Be sure to take advantage of the free download.
https://goo.gl/GU9cye


 GET IT FREE FOR FIVE DAYS...


Starting September 20th, Richard Earl Rice has a book listed in the Goodreads.com giveaways. SANCLEM will be given away for free to five lucky winners so be sure to enter!

Goodreads Book Giveaway

Sanclem by Richard Earl Rice

Sanclem

by Richard Earl Rice

Released September 11 2017
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Sunday, August 27, 2017

AND THEN IT GOT DARK. . .

Expect a few good stories to come of the Great American Eclipse of 2017. Any event so moving has to foster at least one novel or novella.
Blue Sage Writers took advantage of the influx of people into the Idaho area by gathering the authors and books together and marching down to the river to put up a tent and book display/signing table.
We sold books and enjoyed each other’s company. We talked to the general public—even those with sticky fingers and those holding those scary little children by the hand. Books don’t sell themselves. It’s a struggle to prod, push, and cajole people into putting that special book into a bag and forking over some funds. At the end of the day, we’d sold more books than most small book stores may shove off their shelves in a day.
Getting people to read—especially YOUR book—is always worth it. But it isn't about the ten dollar bill an author gets from a sale. That ten dollar bill represents the pat on the back for getting the book written in the first place. It's the time expended, the soul searching, the nights of staring at the computer keyboard wondering where those easy nouns and verbs disappeared to. And it's knowing that the encouragement of a sale keeps an author writing. After all, we have more more missing worthy words to round up, lasso and put down on on paper. We have stories to tell.

And one of those stories may even address “Where were you when the lights went out?”

Submitted by Mary Ann Cherry, author of Death on Canvas in awe of the Great American Eclipse of 2017

Monday, July 10, 2017

HERE COMES THE SUN - AND THERE IT GOES!

submitted by Mary Ann Cherry (author of Death on Canvas)

On Saturday, August 19th, which is the last Saturday before the scandalous upcoming eclipse ( I mean, who does old Sol think he is?) the Blue Sage Writers plan to offer a table of books during the Farmer's Market along the Snake River. What fun! Come to our tent and buy a book to read in the dark. You can have it personally signed by the author.

Now, all writers know that spelling and grammar are important. Our authors will sign your purchased novel. We can sign it for anyone you choose to bless with an authentic book - from Idaho - purchased before the sun blots out Idaho Falls - we promise. We will not promise that old devil, Sol, will not also singe the book. Come over and find out!

Saturday, August 19th, 9am - 1 pm
during Farmer's Market along the Snake River at Memorial Dr.


Sunday, July 9, 2017

THE ART OF A CRITIQUE GROUP


Submitted by Karen Finnigan

I love those blogs that consist of a list. If I could create one, it would sound neat and tidy and imply there are answers to all our publishing dilemmas, like these:

  • Ten secrets to getting published
  • Eight traits agents want in a client
  • Six tips for writing a successful pitch
  • Top three ways publishing will be different a year from now
  • The number one reason a book idea stands out

I would not try to create a list giving the secrets of successful critique groups. I don’t think they’re so easy to pigeonhole. Not that any of the above are easy either, but critique groups provide such unique challenges. For starters, each individual writer brings different talents and expectations to a group.

  • Some members write by the seat of their pants
  • Others outline every scene in detail
  • Some rewrite umpteen times
  • Others can turn out a quality first draft

Some of us want to be critiqued with brutal honesty. Give it to us straight, we say. Lay it on thick. We can take it. It’ll toughen us up for the real world of publishing.

Others prefer we go gently on their creative efforts, want lots of positive feedback for what they do well, praise being the sandwich bread into which are spread a few mild suggestions.

Some have outgoing personalities that relish the give and take of off-the-cuff talking. They thrive on the show and tell of sharing every time and might enjoy a leadership role.

Others are shy, preferring structure, where an agenda guarantees they’ll get a turn to talk or read. They might beg off easily or wait in the wings to be asked if they brought anything.

Some hate agendas and don’t see the need.

Some watch the clock and see time as a pie to be divided fairly.
Others measure time by creative moments.

Some prefer critiquing the storyline like a beta reader.
Others can discuss the nuances of characterization and motivation.
Still others like to get down in the weeds and correct grammar.

Some come for treasured friendships that go back decades.
Others come once and never return, though we never know why.

Some see traditional publishing as their holy grail.
Others are thinking about e-publication or self-publishing.
Still others are content to write for the joy of it and leave their writing in a bureau drawer for their literary heirs.

A few are too tired, sick, weary, busy, distracted to write.
And maybe, every meeting, someone is secretly thinking about quitting it all—a different someone each time.

But I do think we have this in common--a need for mutual support of our writing dreams, camaraderie, and once a month lunch out. It’s a list, I guess, but barely.

So, it’s not surprising that frustrations will occasionally surface. But for all the dissymmetry, it’s still preferable to not having a critique group at all. Through the din of personalities and differing styles, goals, and pen colors, there is headway made. There are glimmers of inspiration, commiseration over rejection letters, writing news brought from conferences, names of agents taking submissions, and contest deadlines. A few guidelines are helpful maybe, like toss your lunch wrappers, share your email addresses, and take turns talking. But nothing heavy, mainly because I’ve decided managing these groups is too akin to tacking jello to a laptop. In short, I think keeping a group going is more art, less business.

I see each meeting as a little incubation room, where we are free to learn our craft with each other as validators, but without the spotlight of the entire world watching as we clean up our mistakes. We celebrate successes together too, of course, because that’s an art form too and definitely worth incubating.

Actress/Commedienne Amy Poehler once said: to paraphrase, she was glad she had been pretty much left alone in her 20s to practice her craft with no spotlight on her. Some of what she did was good, some was bad, but all of it gave her experience and maturity to handle the success she now has.

May we each someday (soon) share her creative experience with success. May we each look back when we are published or republished and think the same of our humble and imperfect critique group. That it was worth it. That it gave to us more than it took from us. That it readied us, step by step, along the journey to our dreams. That, when we get ready to write our list of thanks for the inspiration, our writing group is right up there.

Maybe even number one.